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Bode Willumsen 1895 - 1989

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Arno Malinowski 1899-1976

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* Figurer BW * Stentøj * Om Bode Willumsen 1895-1989 * Arno Malinowski * Om Malinowski

* Figurines BW * Stoneware BW * About Bode Willumsen * Arno Malinowski * About Malinowski

Bode Willumsen Stentøj

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Bode Willumsen Stoneware

Bode Willumsen figurer

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Bode Willumsen Fogurines

4047 Fiskekone 1941 20 cm

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Malinowski

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Malinowski

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Om Arno Malinowski

About Arno Malinowski

Arno Malinowski (1899-1976) 

Arno Malinowski arbejdede som billedhugger på Den Kongelige Porcelænsfabrik fra 1921-1936. Oprindelig var han uddannet gravør men fortsatte sin uddannelse på billedhuggerskolen på Det kongelige Kunstakademi i København fra 1919-1922. her viste han tidligt særligt anlæg for arbejder i bronze og for dekorativ kunst. Imidlertid udviklede han på fabrikken tillige en raffineret porcelænsstil, der vidner om en sikker sans for materialer. Et egentligt gennembrug fik han med en række arbejder, bl.a. Balidanserinden 12238, på verdensudstillingen i Paris 1925, hvor han fik udmærkelse, og hans figurer anerkendes da også som nogle af de bedste inden for 1920'ernes danske porcelænskunst. De er enten helt udekorerede (hvide), eller han udnytter kontrastvirkningen mellem figurernes udekorerede flader og en sparsom staffering i brunt og guld.

Efter tiden hos Royal Copenhagen viste han lige så sikre evner for arbejdet i metaller da han leverede modeller til Just Andersen og fik arbejde hos Georg Jensens sølvsmedje. Malinowski arbejde hos Georg Jensen fra 1936 - 1965 hvor han udviklede designs i stål- og sølvsmykker, der blev produceret hos Georg Jensen under Anden verdenskrig, heraf blev M. særligt kendt for "Kongemærket" som markerede Hans Majestæt Christian d. X.'s 70 års fødselsdag. Dette etablerede ham som anerkendt medaljør også.

Huguenotpigen

I følge mundtlig overlevering fik Arno Malinowski inspiration til denne figur fra beretningen om en from ung pige, der under det 16. århundredes kampe i Frankrig mellem protestanter (huguenotter) og katolikker søgte at mildne de forfulgtes og fattiges lod. Med fare for sin egen sikkerhed samlede hun mod sin fars ønske brødkrummer og rester fra hans bor og bar det ned i landsbyen. Da hun en dag blev grebet på fersk gerning, og spurgt hvad hun skjulte i kjolens folder, knælede hun ned for at gå til bekendelse. Men da hun afslørede sin byrde var det blevet forvandlet til blomster.

Arno Malinowski (1899-1976)

Arno Malinowski was employed as a sculptor by the Royal Copenhagen Porcelain Manufactory between the years 1921 and 1935. Originally trained as an engraver, he continued his education at the School of Sculpture at the Royal Academy of Art in Copenhagen 1919-1922. Here, he showed an early aptitude for working in bronze and for the decorative arts.

While at the factory he developed a refined porcelain style of his own that bears witness to a sure sense for the material. He achieved a breakthrough with a series of works, amongst which was the Bali Dancer (Royal Copenhagen 12238 Bali Dancer 29 cm), at the World Exhibition in Paris in 1925, receiving distinction, and his figures were accepted as some of the best of the Danish porcelain arts in the 1920s. They are either completely undecorated or else he makes the contrast created by a Spartan use of brown and gold against undecorated surfaces.

After he left The Royal Copenhagen Porcelain Manufactory in 1935, he showed equal sureness of ability in working in silver at Georg Jensen’s silversmithy and likewise in his work in bronze for Just Andersen. Malinowski worked at Georg Jensen from 1936-1865. Among his designs, he developed the iron and silver jewelry produced by Georg Jensen during the Second World War and the emblem Kongemaerket, designed on the occasion of the 70^th birthday of His Majesty Christian X, which established his reputation as a medalist.

The Huguenot Girl

The Huguenot Girl #12461 20 cm Inspiration for this figure is said to have come to Arno Malinowski from the legend of a young girl in the 16^th century war in France between the Protestants (Huguenots) and Catholics. She tried to help the persecuted and the poor and, at the risk of her own safety and against her father’s wishes, she gathered crumbs from his table and took them to the nearby village. One day she was caught and asked what she had in the folds of her dress, she knelt to confess her deed, only to find that the bread had turned into flowers.